How our brain innovates thinking
March 15-21 2021
After her degree in Law, in 2013 she obtained a PhD in Protection of Human Rights.
She then became a Subject expert of Penal Law at the faculty of Scienze Politiche of the Università degli Studi di Catania. In 2019, she obtained
a degree in Decoration at the Accademia di Belle Arti di Roma.
In the same year, she started collaborating with Numero Cromatico
and she is currently working on her personal research.
Salvatore Gaetano Chiarella
Artist and researcher, member of Numero Cromatico and editor of Nodes Journal.
He works in cognitive psychology and experimental neuroaesthetics. His production focuses on the creation of works that investigate the mechanisms involved in conscious perception and in the representation of the self. Since 2016 with Numero Cromatico and the Sapienza University of Rome he has conducted experimental research on the relationship between selective attention and visual sensory memory. This research led to the production of Iconic Film 3:30 (2016) and Iconic Film (2020). Since 2018 he has been engaged in experimental studies of intersubjective experience. Currently, he is a PhD student in Psychology and Cognitive Science at the “Consciousness and Cognition” laboratory of the Department of Psychology, Sapienza University of Rome. He collaborates with the Institute of Cognitive Sciences and Technologies (ISTC) - CNR of Rome, University of Allahabad and KU Leuven.
Artist and researcher, vice-president of Numero Cromatico and editor of Nodes Journal.
His research focuses on poetry in relation to new communication technologies, visual communication and Artificial Intelligence. His practice focuses on the artist’s expressive abstinence, the use of generative processes in literary production and the study of the spatial and visual components of a text. From 2014 to 2017, he produced poetry using social media and dating apps, actively involving the users. In the last years, he started working with artificial neural networks with the aim of creating texts that are capable of evoking emotions in the viewers on crucial existential themes such as death, love, grief and loss.
Dionigi Mattia Gagliardi
Artist and researcher, president of Numero Cromatico and editor-in-chief of Nodes Journal. His research focuses on the production of artworks deprived of the artist’s emotional contribution and uses neuroscience for the comprehension of art viewers’ psychological and rational response. Since 2015, he has been producing paintings using the scientific method. Artworks from the series “Test verbovisivi” have been used to develop a project in collaboration with the Università Sapienza di Roma presented at ArtVerona 2019. It was the first neuroaesthetic experiment held in an Italian art fair. He promotes the importance of art theories as the basis for art production.
Since 2016 he has been teaching in academies and he is now Professor at the Quasar Institute for Advanced Design a Roma. He is also a member of the International Association of Empirical Aesthetics and the scientific committee of the Rivista di Psicologia dell’Arte.
Artist and researcher, secretary of Numero Cromatico and editor of Nodes Journal. Since 2010, he has been conducting studies on visual deprivation. His experiments target drawing, painting and performance acts that involve himself and the viewers, creating events that investigate spontaneity, the relationship between the Self and the Other and between architectural spaces and urban landscapes, in which visual deprivation functions as a working strategy for the avoidance of spontaneous and emotional contents. From 2010 to 2012 he has been the coordinator of teaching activities at the Musei Capitolini and of the courses Teoria della Percezione, Psicologia della Forma and Psicologia dell’Arte at the Accademia di Belle Arti of Rome.
Associate Professor of German Studies at the University of Verona, Italy. Over the past 10 years he has been collaborating with the major institutions involved in empirical research on reading: from 2014 to 2018 he was working group coordinator of EREAD (Evolution of reading in the age of digitization), from 2015 to 2019 he was treasurer of the IGEL association (International association for the empirical study of literature), in 2016 he was Fellow at the Max-Planck-Institute for Empirical Aesthetics in Frankfurt. He has been a visiting fellow at the Institute for Advanced Study in Paris (2018), Tongij University of Shanghai (2015), University of Göttingen (Humboldt-Fellow), Columbia University (2009). His areas of research are German authors of the 20th and 21st century, empirical aesthetics, and Digital Humanities.
Pierre Matisse Professor of the History of Art and Director of The Italian Academy for
Advanced Studies in America. Fellow at the American Academy of Arts and Sciences, American Philosophical Society, Accademia Nazionale di Agricoltura and Istituto Veneto di Scienze, Lettere e Arti. He has been Director of the Warburg Institute of London from 2015 to 2017. He promotes an interdisciplinary approach to scientific research and studies the relationship between vision, representation, movement and feeling. In 2001 he founded the project called Art, Humanities, and Neuroscience that investigates the psychological responded to visual art.
In 1989 he published his famous book “The Power of Images: Studies in the History and Theory of Response” and he is currently working on two new titles: “Dance, the Body and Emotion” and “Art and the Brain”.
Researcher, member of Numero Cromatico and editor of Nodes Journal.
PhD in Behavioural Neuroscience since 2017, she is currently a post-doc at the Telethon Institute of Genetics and Medicine (TIGEM) and the Istituto di Biologia Cellulare e Neurobiologia of the CNR. In 2017 she was a scholar at the Italian Academy for Advanced Studies of the Columbia
University in New York. She undertook research periods in many research centres such as the Zuckerman Mind Brain and Behavior Institute of New York, the Charles University in Pilsen, the Aix-Marseille University in Marsiglia, the Champalimaud Center for The Unknown in Lisboa and the DANDRITE center of the Aarhus University.
We are glad to announce that Numero Cromatico is one of the two selected Italian organisations to host an event on the occasion of the Brain Awareness Week 2021, supported by Dana Alliance for Brain Initiatives (DABI), European Dana Alliance for the Brain (EDAB), Dana Foundation and Federation European Neuroscience Societies (FENS) to help to promote brain sciences worldwide. How Our Brain Innovates Thinking consists of 6 online lessons - free and open to the public - a workshop with the Istituto Omnicomprensivo di Orte and an exhibition held in Numero Cromatico’s space. The event will take place from 15th to 21st March 2021.
The functioning and wellbeing of the human body are very relevant topics nowadays, not only in relation to medicine but also to other disciplinary fields such as art.
In recent years, on the one hand, artists and academics in the field of humanities focused their attention on the cognitive aspects of perception, bodily experiences, empathy and art psychology; on the other hand, there is an ever-growing interest from the scientific world towards the arts, architecture and design.
Thus, the time is apt to outline a new hybrid territory between art and neuroscience, with the aim of training a more conscious citizenship on the challenges that the world is facing.
The event consists of 6 online lessons, free and open to the public, a workshop with the Istituto Omnicomprensivo di Orte and an exhibition held in Numero Cromatico’s space.
The event will take place from 15th to 21st March 2021.
Tuesday, 16th March
Origami Lab: exploring the brain
Workshop by Luisa Amendola and Marco Marini held with the students of the Istituto Omnicomprensivo di Orte
The winner is: Empathy! Some considerations on the most studied and controversial reaction to literary texts
Thursday, 18th March
Theories and models of visual consciousness
between art and neuroscience
Salvatore Gaetano Chiarella
The power of images between art and neuroscience
Sunday, 21st March11.00 am
How to use the brain for building an art project
How we perceive the beauty of words
Beauty and brain: new frontiers of the artistic research
Dionigi Mattia Gagliardi
The events are free of charge and booking via email is mandatory. Write your name and the events you would like to attend to: